Paper Abstract and Keywords |
Presentation |
2021-05-25 14:30
Relationship between impressions of paintings and gaze pattern
-- In the case of Katsushika Hokusai's "Thirty-six Views of Mount Fuji" and Utagawa Hiroshige's "the Fifty-three Stages on the Tokaido" -- Yuka Nojo, Tomoyuki Maekawa, Kazuhiro Ueda (UTokyo) HCS2021-13 HIP2021-13 |
Abstract |
(in Japanese) |
(See Japanese page) |
(in English) |
Previous studies claim that visual art, which is highly evaluated, uses a compositional trick which guides the viewer's gaze to round widely over the work. As a first step toward confirming the truth of this hypothetical claim, we examined relationship between impressions of ukiyo-e and gaze pattern suggested by the above claim. In particular, we measured viewers' gaze while looking at ukiyo-e and evaluated their impressions towards ukiyo-e. In order to examine the relationship independent of painters and painting styles, we selected Katsushika Hokusai's ''Thirty-six Views of Mount Fuji'', which is known for its "cartoon-like and illustrative style" and Utagawa Hiroshige's "the Fifty-three Stages on the Tokaido", which is known for its "realistic style", as experimental stimuli. The results showed that there was a significant difference between gaze-movement area of highly rated paintings and that of poorly rated paintings. |
Keyword |
(in Japanese) |
(See Japanese page) |
(in English) |
gaze pattern / impression rating / Thirty-six Views of Mount Fuji / the Fifty-three Stages on the Tokaido / / / / |
Reference Info. |
IEICE Tech. Rep., vol. 121, no. 38, HIP2021-13, pp. 65-69, May 2021. |
Paper # |
HIP2021-13 |
Date of Issue |
2021-05-17 (HCS, HIP) |
ISSN |
Online edition: ISSN 2432-6380 |
Copyright and reproduction |
All rights are reserved and no part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher. Notwithstanding, instructors are permitted to photocopy isolated articles for noncommercial classroom use without fee. (License No.: 10GA0019/12GB0052/13GB0056/17GB0034/18GB0034) |
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HCS2021-13 HIP2021-13 |
Conference Information |
Committee |
HCS HIP HI-SIGCOASTER |
Conference Date |
2021-05-24 - 2021-05-25 |
Place (in Japanese) |
(See Japanese page) |
Place (in English) |
Online |
Topics (in Japanese) |
(See Japanese page) |
Topics (in English) |
Communication Enhancing, Human Communications, and Human Information Processing |
Paper Information |
Registration To |
HIP |
Conference Code |
2021-05-HCS-HIP-SIGCE |
Language |
Japanese |
Title (in Japanese) |
(See Japanese page) |
Sub Title (in Japanese) |
(See Japanese page) |
Title (in English) |
Relationship between impressions of paintings and gaze pattern |
Sub Title (in English) |
In the case of Katsushika Hokusai's "Thirty-six Views of Mount Fuji" and Utagawa Hiroshige's "the Fifty-three Stages on the Tokaido" |
Keyword(1) |
gaze pattern |
Keyword(2) |
impression rating |
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Thirty-six Views of Mount Fuji |
Keyword(4) |
the Fifty-three Stages on the Tokaido |
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1st Author's Name |
Yuka Nojo |
1st Author's Affiliation |
The University of Tokyo (UTokyo) |
2nd Author's Name |
Tomoyuki Maekawa |
2nd Author's Affiliation |
The University of Tokyo (UTokyo) |
3rd Author's Name |
Kazuhiro Ueda |
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The University of Tokyo (UTokyo) |
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Speaker |
Author-1 |
Date Time |
2021-05-25 14:30:00 |
Presentation Time |
25 minutes |
Registration for |
HIP |
Paper # |
HCS2021-13, HIP2021-13 |
Volume (vol) |
vol.121 |
Number (no) |
no.37(HCS), no.38(HIP) |
Page |
pp.65-69 |
#Pages |
5 |
Date of Issue |
2021-05-17 (HCS, HIP) |
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