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Technical Committee on Engineering Acoustics (EA) (Searched in: 2012)
Search Results: Keywords 'from:2012-06-08 to:2012-06-08'
| Committee | Date Time | Place | Paper Title / Authors | Abstract | Paper # | |
| EA | 2012-06-08 09:30 |
Shizuoka | Yamaha Co. | Multimodal Perception between Whole-body Vibration and Auditory Information Hideki Sakanashi (Yamaha)  EA2012-33 |
Experience shows that whole-body vibration with music induces listener's bass perception and make music more realistic. ... [more] | EA2012-33 pp.1-6 |
| EA | 2012-06-08 09:55 |
Shizuoka | Yamaha Co. | Perceptual attributes associated with auditory images reproduced via virtually elevated loudspeakers Sungyoung Kim (Yamaha) EA2012-34 |
[more] | EA2012-34 pp.7-12 |
| EA | 2012-06-08 10:20 |
Shizuoka | Yamaha Co. | Investigating physical parameters associated with auditory distance perception by numerically simulated source-to-ear transfer function Hiraku Okumura, Sungyoung Kim (Yamaha), Makoto Otani (Shinshu-u) EA2012-35 |
Recent 3D technologies allow viewers to perceive the depth disparity of visual objects and, thus, experience more realis... [more] | EA2012-35 pp.13-17 |
| EA | 2012-06-08 11:00 |
Shizuoka | Yamaha Co. | Simulation of radial characteristic control with spherical speaker array Takaya Hayashi, Shigeki Miyabe, Takeshi Yamada, Shoji Makino (Tsukuba Univ.) EA2012-36 |
This paper describes control of distance attenuation using spherical loudspeaker array. One research group proposed rad... [more] |
EA2012-36 pp.19-24 |
| EA | 2012-06-08 11:25 |
Shizuoka | Yamaha Co. | Measurements for dynamic distortion of loud-speakers using swept-sine signal Toru Sasaki, Kantaro Takada, Heitaro Nakajima (Bifrostec) EA2012-37 |
To evaluate the distortion of a loudspeaker, we considered the method to observe its dynamic-distortion by using a Swept... [more] | EA2012-37 pp.25-30 |
| EA | 2012-06-08 11:50 |
Shizuoka | Yamaha Co. | Steerable Parametric Loudspeaker Using Array Control Shigeto Takeoka (SIST) EA2012-38 |
[more] | EA2012-38 pp.31-36 |
| EA | 2012-06-08 13:15 |
Shizuoka | Yamaha Co. | Harmonic and nonharmonic signal decomposition for musical signal using cepstral domain median filtering Yu Takahashi, Kazunobu Kondo, Seiichi Hashimoto (Yamaha) EA2012-39 |
[more] | EA2012-39 pp.37-42 |
| EA | 2012-06-08 13:40 |
Shizuoka | Yamaha Co. | Blind speech extraction for non-audible murmur speech with speaker's movement noise Miyuki Itoi, Ryoichi Miyazaki, Tomoki Toda, Hiroshi Saruwatari, Kiyohiro Shikano (NAIST) EA2012-40 |
In this paper, we address an improvement method of noise reduction used in multichannel Non-Audible Murmur (NAM) based o... [more] | EA2012-40 pp.43-48 |
| EA | 2012-06-08 14:05 |
Shizuoka | Yamaha Co. | Underdetermined DOA estimation by the non-linear MUSIC based on higher-order moment analysis Yuya Sugimoto, Shigeki Miyabe, Takeshi Yamada, Shoji Makino (Univ. Tsukuba) EA2012-41 |
This paper describes a new approach to extend MUltiple SIgnal Classification (MUSIC) to underdeter-mined direction-of-ar... [more] | EA2012-41 pp.49-54 |
| EA | 2012-06-08 14:45 |
Shizuoka | Yamaha Co. | Musical Noise Reduction of Spectral Subtraction for Speech Enhancement Masaru Fujieda, Takashi Yazu (OKI) EA2012-42 |
In this report, an approach to reduce musical noise of spectral subtraction (SS) for speech enhancement is described. We... [more] | EA2012-42 pp.55-60 |
| EA | 2012-06-08 15:10 |
Shizuoka | Yamaha Co. | Performance comparison of MMSE and sparse models in source separation using multichannel Wiener filter Ryutaro Sakanashi, Shigeki Miyabe, Takeshi Yamada, Shoji Makino (Univ. Tsukuba) EA2012-43 |
Multichannel Wiener filter proposed by Duong {\it et al}. can conduct underdetermined blind source separation (BSS) with... [more] | EA2012-43 pp.61-66 |
| EA | 2012-06-08 15:35 |
Shizuoka | Yamaha Co. | Mathematical Metric of Musical Noise for Various Nonlinear Speech Enhancement Algorithms Suzumi Kanehara, Ryoichi Miyazaki, Hiroshi Saruwatari, Kiyohiro Shikano (NAIST), Kazunobu Kondo (Yamaha) EA2012-44 |
In this paper, we propose a new theoretical analysis of amount of musical noise generated in several noise reduction met... [more] | EA2012-44 pp.67-72 |
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